Peppermint Bark {a finished quilt}

April was a pretty busy month for me - my son turned 10, we had school holidays for a few weeks, plus throw in Easter, work and me learning how to use a longarm. Let's just say it was a full month! Nevertheless I managed to finish a few small projects, and I'm excited to be able to share one of these with you today. This is my version of the Peppermint Bark quilt, a brand new quilt pattern by It's Sew Emma for Fat Quarter Shop. 

I made the crib-sized version of this quilt - and although I don't have any baby girls to give it to, it's the perfect playmat for my daughter to use when she's playing with her Sylvanian toys. I used a few prints by Sarah Jane I've been hoarding for ages (along with a Joel Dewberry herringbone print), and chose a grey solid for the background. I deliberately chose a solid, as I knew I wanted to have some fun with the quilting on this one, and solids are awesome for showing up complex free motion quilting. It's a great pattern for small and medium scale prints - and these blocks sew together really fast.

I used two layers of wool batting for this quilt, which is why there's that awesome puff in the unquilted areas. I love using two layers on small quilts, especially if the intention is that they're going to be used on the floor. Not only does it mean the quilting shows up wonderfully, it also means it's super comfy for kids to sit on while they're playing. All the quilting is done in my favorite 50wt Aurifil thread - Dove (2600). It has blended flawlessly into the grey solid, and just leaves all that lovely texture.

The back of this is a border print by Sarah Jane, so it's pretty much a double sided quilt. I'm quite certain my daughter will end up using this side for her games (she has been asking for a playmat with water and grass on it for some time - I think this fits the bill pretty well!)

I'll be back later this week with some very exciting news - and I'll have another finish to share next week (I just need to get the binding on it!).

xx Jess

A wee bit of FMQ {Suzy Q Panel for BERNINA Australia}

Back in March, BERNINA Australia contacted me to ask if I'd be interested in quilting a small panel to be part of a display in their booth at the Australasian Quilt Convention (AQC) this year. Of course I said yes (I mean, what an honour!), and had a LOT of fun quilting it. A group of textile artists and quilters from around Australia have been busy working their magic on these panels, and I really wish I could make it to AQC this year to see them all hanging together - it will be a fabulous display, and it will be so interesting to see how people approach it. If any of my readers are going to AQC this year, I would be forever in your debt if you could snap a few pictures of the display for me, so I can see what they all look like together!

It took me a few weeks to decide how I wanted to approach the quilting on this. The panel measures about 45cm x 75cm, and features a girl's face with flowers in her hair and a really cool geometric hexagon-type design. I knew I wanted to play around with geometric quilting in and around the hexagon, but I was a bit stumped as to what to do around the face. In the end, I decided to roughly outline quilt the flowers and leaves and facial features, and then surround the face with swirls. I haven't done any FMQ since November last year, so it was really lovely to spend a few hours quilting this up last week.

I used Aurifil 40wt (2021) for the swirls and outline quilting. It blends amazingly well into the background fabric, and even for the outline quilting. I probably could have used a darker thread for the facial features, but I love that the white thread has given her face definition without distracting from the printing on the panel. It also meant I could be a bit more 'sketchy' with my quilting (and it wouldn't be too obvious if I didn't quite quilt right on the printed lines), whereas using a darker (ie charcoal) thread would have required far more precision and would risk looking pretty dodgy if I missed those lines!

The geometric quilting is all free motion quilted using Aurifil 40wt in a variegated orange/yellow (4658). I love using variegated threads, and I particularly love how this one plays with the soft, warm colours in the panel. I love doing this kind of random geometric straight line FMQ - it's fast and so much fun to do! Plus it gives such a great texture, and looks pretty fabulous alongside curvy quilting such as swirls or pebbles. 

 If you're lucky enough to be going to AQC over the next four days, please go say hi to my little quilt - and check out what is sure to be a fabulous display from talented quilters all over Australia! If you are on Instagram and manage to get a photo, please tag me (@ElvenGardenQuilts) so I can check it out :o).

xx Jess

Sew Together Madness

Last weekend, I stayed up WAY too late sewing together a couple of Sew Together bags. I'd cut all the pieces and quilted the exterior panels the weekend before, and then Friday night I stayed up till 2am sewing them together. Probably not the wisest decision, but loads of fun nevertheless - and it was worth the total lack of brain function the next day. I absolutely adore these bags, and am so pleased with how they turned out. 

I've seen many, many versions of the Sew Together bag on the interwebs since the pattern (by Sew Demented) was released and I've always admired how great they look. And now that I've got a few hand piecing projects  on the go, I thought it was the perfect time to try the pattern out. 

I fully intended on making just one of these bags, but once I started raiding my stash to choose fabrics for them, I had difficulty choosing what to use. So I bit the bullet and just made two. They're both made using Anna Maria Horner fabrics - I find bags are a great way to use large scale prints I adore, but that might be difficult to use in quilts. It might seem slightly ridiculous making two, but I have two English Paper Piecing (EPP) projects on the go, and these bags will make it so much easier to stay organised and avoid losing papers, basted shapes and cut fabrics. 

I'm pretty positive you would have seen many versions of these bags by now - but I can't emphasise enough how awesome they are. When zipped up they are a nice sized little bag, and the outer zip doubles as a handle. 

When unzipped they are just fantastic. They fit SO MUCH STUFF inside them. So much. And when they're open, everything inside is totally visible - so when I'm sitting on the couch hand-piecing, they work awesomely well. I'm a super untidy person, and I used to find it a bit frustrating to pack up all my stuff at the end of an evening of hand piecing. Happily, this is no longer a problem!! All my essential EPP supplies (needles, 80wt Aurifil, clover clips, basted shapes, partly pieced blocks, and even my envelopes of paper pieces) fit easily. 

My daughter has requested one of these for all her sewing bits and pieces (as has my sister), so I'll probably have a few more to share when I get time to make a couple more. I have a few deadlines to meet over the next few months, but once they're taken care of I fully intend to use this most excellent pattern again! 

xx Jess

Melody Miller Placemats

Today I'm sharing a quick and easy project I put together yesterday, as part of the Placemats Sew Along with the Fat Quarter Shop. I've been meaning to make a set of placemats for a veeery long time, so when I was asked if I'd like to participate in this sew along, I knew it would be the perfect prompt for me to get it done, rather than leaving it for another few years. And this was a seriously quick project - all four placemats took about four hours from start to finish. I call that a win! I'm so thrilled with how these turned out - such an easy way to add a burst of colour to our outdoor eating area.

I made these placemats using a Soft and Stable White Project Pack, kindly supplied by FQS for this sew along, combined with a couple of long-hoarded and very favorite Melody Miller linen/cotton prints. Although the Project Pack comes with full instructions to make strip-pieced placemats, I decided to make use of these gorgeous prints. Not only do they look awesome, but because they are a pretty heavy weight fabric, they will stand up to regular use really well (I made a Necessary Clutch Wallet from one of her cotton/linen prints almost four years ago, and have used it constantly since - and it is still going strong!) And with three smallish children, hard wearing is a pretty essential feature for household items like these! I've not used Soft and Stable before, but I have to say it is ideal for this kind of project - it is lovely to sew with, and looks fantastic quilted. Plus it's washable, so we will be able to throw them in the washing machine when they get grotty!

I made a couple of other very small changes to how I made my placemats compared to the instructions provided in the pack, for purely aesthetic reasons. I wanted to quilt the placemats, so rather than just stitching the strips on quilt as you go style, and then sewing the back on around the edges as per the instructions, I decided to layer my back, Soft and Stable and front, and quilt all three layers as I would a quilt. I used another long-hoarded, favorite fabric on the back of these too - a print from Anna Maria Horner's Garden Party collection.

The other small change I made was to bind them as I would a regular quilt. The instructions provided in the pack teach you how to use the backing fabric as a binding (by folding it over onto the front). This would have been the ideal way to do it - except that I only had enough of my chosen binding fabric to make regular binding. Because I was using a single print for the front of each placemat, I decided they really needed a contrasting binding to finish them off. And happily, I had JUST enough of that fabulous Waterfront Park cerise print to bind the floral place mats - I think you'll agree, it is the perfect combination! I chose a Cotton & Steel print for the binding on the tea cup print placemats - I love how the navy works with the coral.

I wanted to quickly mention the threads I chose for the quilting on these too (because I stash thread almost as much as I stash fabric). I chose a variegated coral Aurifil 40wt for the pink tea cup placemats, and it works awesomely well for a bit of subtle interest. For the floral placemats, I used a heavier weight 28wt Aurifil. I bought a selection of Aurifil 28wt cotton while I was in Adelaide for the Australian Machine Quilting Festival last year for a quilt I was making at the time (and I will be sharing that particular quilt soon - I just need to get around to finishing off editing my photos for the blog post!), and one of the colours I had was the perfect choice for the floral placemats. I'm a bit addicted to 28wt threads at the moment - they give such great definition to quilting stitches and I'm finding I'm using them every chance I get.

These four placemats have found a home on our new outdoor table. Our summer project this year was building a deck in our back garden, and we have been using it almost nightly over the last few weeks, making the most of the longer days before day light savings ends. The only problem is the table seats eight - so I'll be needing to make another set of four sometime soon ;o). I have a few other Melody Miller prints earmarked for the next set of these - so stay tuned, I'm hoping to get them sorted in the near future!

I know I've been promising a few finished quilt posts for a few weeks now - life has conspired against me of late (a really nasty cold + real job doesn't leave much time or energy for blogging), but I'm almost finished editing the photos so I'm hoping next week will be a big blogging week for me ;o).

I hope you all have a fabulous weekend! I'll be celebrating my brother's 30th birthday and my nephew's 2nd birthday over the weekend, and hopefully get a bit of sewing in around all the cake eating...

xx Jess

Flow {A Finished Quilt}

Wow, it's been a long, long time since I've shared a quilt finish in this space! It's nice to be back - and I have several quilts and quilt tops I finished toward the end of last year that I'm hoping to share over the next few weeks. The first two I'll be showing you were made essentially in secret - that is, I resisted my usual tendency to completely overshare what I'm working on. The main reason for this was that both of these were made specifically for the challenge categories for QuiltCon 2016, so I wanted them to be a bit of a surprise *if* they were juried into the show. Neither of them got accepted, so I'm kind of excited to be able to share them at last!

The quilt I'm sharing today was made for the Michael Miller Luxe challenge - she's called Flow and she was a really fun quilt top put together. This is a fairly long post, as I'll be showing a bit of my process as well as a few pictures of the final quilt, so please bear with me! I would normally split this much information across a few blog posts - but I'm making up for my recent lack of blog posts by giving you a single enormous post ;o).

Mid last year, the Modern Quilt Guild offered members the opportunity to sign up for the Michael Miller Luxe challenge, one of the special categories that would be part of the QuiltCon 2017 show. Everyone who signed up for the Luxe challenge was sent two half yard pieces of fabric, in one of the colour stories below. Participants were then allowed to add ONE cotton couture solid to these, and to use any of the Luxe range of fabrics in their quilt. The fabrics I received were the middle two, and I then added a deep teal cotton couture to these, as well as solid white and grey Luxe fabrics.

I have to admit, these fabrics sat in a pile on my cutting table for a good few months before I started getting some ideas about what to do with them. These fabrics are sheeting fabric rather than quilting cotton, and as such have a slightly different sheen (they are quite shiny) and have a wee bit more stretch than regular quilting cotton. I was a little bit nervous about working with them, but eventually I decided improv curves were the way to go, and I started making a few blocks, without any real plan as to what I'd do with them. Apologies for the poor lighting in the next few photos - my design wall has overhead fluorescent lights, which make it really hard to get good pictures of the whole wall. 

Initially, I made a few blocks, thinking I would position them so that there was a continuous improv curve from top to bottom down the quilt. 

But as I kept making blocks, I decided to lay them out more randomly, with more negative space between and around the blocks. At this point I hadn't ordered any solids for the background, and my initial thought was to surround them all with white, and to create continuous curved lines through the quilt with quilting.

But, when I sat down to order the solids, I decided at the last minute to get some grey as well as white, and use this to create some more movement in the negative space. I think this is what I love most about improv quilts - it's such a playful process, figuring out layout and design on the fly. Working with an idea, testing things out and discarding ideas that don't quite work.

I had a love-hate relationship with this quilt the entire time I was piecing it. Thankfully, I have a really awesome quilty friend (kat) who was happy for me to bombard her with photos and questions as I was working on it. I think I've grown so used to oversharing my projects on social media as I'm working on them, that working on something in secret made me feel like I was in a black hole in some ways. I needed the opportunity to get constructive criticism when I was making this, or I honestly think I would have abandoned it. 

In the end, this quilt was a weird combination of improv curves, and some pretty intense precision piecing to get those curves to form a continuous line through the quilt top. It was a really fun challenge, so despite those times I didn't like it, I still enjoyed the process. And seriously, this quilt was SO much fun to add texture to. Quilting is a super important part of quilt making for me - and the whole time I was piecing it I was thinking about how I would quilt it, to add to the sense of movement in the quilt top, and add loads of texture without detracting from the design. I forgot to take a photo of the top before I quilted it, so this is it in full. After I'd finished piecing, I decided to orientate the curves across the quilt, rather than top to bottom, and I much prefer it this way around :o).

As always, I did all the quilting on my little domestic Bernina (440QE), but because it's a reasonably small quilt (around 60" square) it was a really enjoyable quilt to quilt. I decided to use batting with a bit of loft to make all the quilting stand out, so I chose a Wool/Polyester batting - it's become one of my favorites to use. The batting, combined with the fact that it's made from sheeting, has resulted in the softest quilt I've ever made, despite all that dense free motion quilting.

All the quilting on this one is done in Aurifil 50wt - white, dove and a few different blues to blend in with the fabrics. Although I've recently used a few other weights of Aurifil for quilting (40wt and 28wt), for this quilt I decided 50wt was the way to go, as I wanted the quilting to blend into the fabric as much as possible, just leaving all that texture.

I don't often piece backs for my quilts - but I had a few bits of the Luxe grey and white left over, as well as a bunch of half-metre pieces of various blues, aqua and teal cotton couture that I pieced together for this one. Solids are the BEST for showing up quilting :o).

Thanks for making it this far in a pretty epic blog post! As I said, I have a few more quilts to share, which I hope to do over the next few weeks. I've made a few fairly major life changes this year (all good ones) which will mean I have more time and energy to blog more regularly. I'd forgotten how much I enjoy talking about and sharing my projects here, so you'll have to put up with my rambling a bit more frequently from now on...

xx Jess

Improv quilt quilting progress

So, somehow it's been almost a month since I posted here (although I'm sure most of you are used to my erratic-blogging ways by now!) April was a bit of a blur, with 10 days in Melbourne for AQC - but since we got back I have been sewing up a storm. Over the last few weeks, I finished piecing my improv quilt top and started quilting it last week. I didn't manage to get a good photo of the quilt top before I basted it, so you'll have to wait for the big reveal when it's finished for that!

The entire time I have been piecing this quilt, I've been bustingly excited about quilting it. Not that I didn't enjoy the piecing part - it's been the most fun I've had making a quilt ever, quite seriously. I didn't have all that much of a plan when I started quilting - I just knew I wanted lots of organic straight lines (free motion quilted of course!) with a few pockets of curvy designs. I started out in the yellow/ochre block of colour, slowly getting a feel for what I wanted to do. I've used two different yellow variegated 40wt Aurifil threads in this section - a darker thread in this area (until I finished the spool),

and then a lighter (orangey yellow) variegated thread for the rest of the yellow block and out into the low volume. Once I got into the low volume area, I hit my stride with the quilting, very much inspired by the grey Carolyn Friedlander print in the photo below.

You can see here how much that fabric inspired this quilting - and the texture is just amazing. Because many of the low volume fabrics I've used have a grid-type design in them, I have actually done virtually zero marking on this quilt - I've used the fabrics as a guide instead.

 Earlier this week, I managed to start quilting the orange section. I'm using a variegated coral coloured Aurifil 40wt for the orange section - and I'm really surprised how well it blends into these fabrics. There is a big variation in tone and value through this section, and although I initially questioned this choice of thread, it works amazingly well.

You can definitely see it on the lighter fabrics, but it's proven to be a real chameleon thread across the others. I felt this thread was a bit dark to use on the low volume areas though, so I switched to a variegated grey 40wt for the low volume section near the oranges.

Considering I only got this quilt basted last Wednesday, and I haven't really spent all that much time quilting it (about 15 hours I think?), I can't really believe it's almost half quilted. This quilt has stolen my heart, completely and utterly. It's my absolute favorite, and I see many more improv adventures for me this year!

You can see a few areas I've left unquilted - some of these I will go back and free motion quilt, but others I will add a bit of hand-quilting too. And some of them will be left alone, happily puffy among all that textured, tactile quilty goodness.

 xx Jess

Binalong {An almost finished quilt!}

I'm excited to share a new (and almost finished!) quilt with you today - the next installment in AGF Stitched (a collaboration between Art Gallery Fabrics and the Fat Quarter Shop). I made two quilts for AGF Stitched last year (Fractal and Welded) and they were both such fun projects to make, I jumped at the chance to participate again this year. I'm a huge fan of Art Gallery Fabrics (they are divine to work with), and the simple, graphic nature of this quilt design really appealed to me. Blithe is a free quilt pattern, and there is even a YouTube video to teach you how to make the blocks!

 I'm pleased to introduce you to my version of the Blithe quilt - a quilt I'm naming Binalong. I'm pretty sure this is the first quilt I've made that is essentially different shades and tints of a single colour, but I think it works quite well. This quilt design instantly made me think of waves and water, so I chose Cozumel Blue (an amazing rich aqua/teal solid) for the background along with a whole host of aqua, teal and blue fabrics from various Art Gallery collections. I sorted them by value, and planned the placement to give the quilt a sense of moving up through the sea.

I'm making this quilt for my 8 year old son, who loves all things beachy. And the colours are definitely reminiscent of our yearly holiday destination - Binalong Bay on the east coast of Tasmania. My son already has several quilts, but he's a bit of a fan of building a quilt nest on his bed - and as the weather is descending into Autumn I figure another layer on his bed won't hurt ;o).

The quilt top came together ridiculously quickly (I didn't time it precisely, but it was around 8 hours of sewing to put it together). I used triangles on a roll for the first time to make the HSTs for this quilt, and they certainly make it quick to put HSTs together! The quilting has been really fast as well. I decided to continue the sea theme and combine organic straight lines following the angle of the HSTs with some improv free motion quilting. I'm using a variegated pale blue Aurifil thread (40wt) for all the quilting. I've kept the quilting wide-spaced, so the quilt is beautifully drapey and soft - and I'm looking forward to seeing what the texture is like once it's washed. 

If you'd like to make your own version of Blithe, the Fat Quarter Shop have put together a kit featuring Chalk and Paint by Sew Caroline. This quilt finishes up at about 54" x 72" so it's a great size for a lap quilt. I'm hoping to finish the rest of the quilting later this week, and get the binding sewn on soon - I have a very impatient child asking me when it will be finished!!

I'll be back very soon with a free block tutorial and to share some of my student's work :o)

xx Jess

Aviatrix Medallion - Log Cabin Quilting

Our kids started back at school today (new school for my youngest two, and they both had an awesome day which is a real relief!), and I didn't have to work. Naturally I grabbed the chance to have a day in the 'studio' aka garage. I made some pretty good progress on my Aviatrix quilting - the log cabin border is so close to being finished! 

At this stage, I've mostly quilted the white parts using Aurifil 50wt in Dove (the same thread I've used in all the white and neutral areas of the quilt). I'm debating whether to go back and do a bit more quilting with coloured thread in the coloured logs. I quite like how puffy they are, but considering how densely quilted the centre part of the quilt is, I'm a bit worried these blocks look too sparsely quilted in comparison.

I don't think I'll make a decision until I've quilted the butterflies. It might be good to have one less densely quilted border. I don't know! I must admit it's getting more challenging to keep this quilt square as I move out toward the last borders. I'm being super careful about ditch stitching each block as I move around each border, and I'm fairly confident I'll be able to quilt it into submission. I think there'll be some serious blocking going on once it's all done though!

 Now that I've got a bit of daytime, kid-free sewing time again, I'm hoping I'll knock over the rest of the quilting on this over the next week or so.

I hope you're all having a great week!

xx Jess

Tula Pink Giveaway - and a Tula Quilt Finish!

I've been starting new projects at a ridiculous rate over the last few weeks - so I currently have six projects in various stages of completion that I'm actively working on. This is a bit ridiculous even for me, so I'm thrilled to say I have something that's actually finished to share today :oD. I'm especially excited that this quilt is finally finished. I started making it almost three years ago, when Tula Pink's Birds and Bees collection first came out. And I have a really awesome giveaway at the end for all of you Tula fans!

The pattern is the Colour Block quilt, designed by Tula Pink for her Saltwater collection. It's a really nice pattern to use larger scale prints, and it is one of those really clever and simple patterns to make. I chose kona solids for the background, in colours that would blend well with the prints. This quilt top has been sitting in my to-finish pile for a few years, wanting to be finished. The size (84" x 96") was what made me hesitate to quilt it - so when I was given a frame earlier this year I decided this would be the first quilt to go on the frame.

And the last as it happens, for a few reasons. When I set my machine up on the frame, I realised I only had about 4" of quilting space at any time, which meant my options for quilting were fairly limited. I decided to go for dense organic straight lines, and I adore the texture. The other negative while I was using the frame was the number of thread breakages I had while quilting. I'm pretty sure I was just expecting too much of my machine on the frame, and expecting it to stitch faster than it's capable of. The other thing that might have played a role is the fact that I used a high thread count flat sheet for the backing fabric. Whatever the reason, I haven't used the frame since!

I used a whole bunch of Aurifil 50wt threads to quilt it - many of them are variegated from Tula Pink's first collection for Aurifil. I love how the thread blends in some areas, but contrasts a lot in others (especially on the darker fabrics.) I'm yet to wash this one, but I'm a bit excited to see how it crinkles once it's washed.

I promised a giveaway today, and it's a pretty amazing one! The Fat Quarter Shop have offered a bundle of Tula Pink's latest collection Eden, in the Lotus colourway. I LOVE the colours in this bundle - they're a little different from Tula's usual shades of green and blue.

If you'd like a chance to win this bundle, please just leave me a comment and let me know what you'd make with it (or if you'd just stash it like I would!!) That's it, no hoops! The giveaway is open to everyone, and comments will close next Wednesday 14th October at 8pm AEST.

Please make sure you are NOT A NO REPLY BLOGGER - I have had lots and lots of no reply comments lately, so if I haven't replied to you it means I can't. If you're a no-reply blogger I have no way of contacting you and you will not be eligible to win this bundle :o)

I hope you're all having a wonderful week!

xx Jess

Welded Quilt {AGF Stitched}

Over the last couple of weeks I've been working pretty solidly on a new quilt. This is the third installment in the AGF Stitched series, a joint project between The Fat Quarter Shop and Art Gallery Fabrics. This quilt is called Welded, and it is another really fast quilt to put together :o)

As soon as I saw this quilt design, I decided it would be perfect for my eldest son's upcoming eleventh birthday. It's a great masculine design, and it uses large pieces of fabric so there's lots of opportunity to use large scale prints.

I've used fabric from several Art Gallery collections - the background text fabric is one of my all-time favorites (from Cherie designed by Frances Newcombe). The rest of the fabrics are from Utopia (Frances Newcombe), Curiosities (Jeni Baker), Happy Home (Caroline Hulse) and Imprint (Katarina Roccella). I love this mix of prints and colours - and I think my son will love it too :o)

I had originally intended to keep the quilting simple on this quilt (famous last words, right?) - but as you can see that idea went out of the window pretty quickly! I haven't actually finished the quilting yet, but you probably get the idea of where it's going from these photos...

 I started by quilting the background areas using Aurifil 50wt dove grey thread (the magic blending thread!), creating a square 'border' around each of the navy blue squares. It took me a while to decide what to do in the other coloured squares (orange, yellow and green etc), but I eventually decided to quilt a star type design, with pebbles radiating out from the centre of the blocks. I LOVE the texture in these parts of the quilt - although it was that decision that took this from quick and simple quilting, to something that is taking hours. All worth it though, I think!

I'm now in the process of going back and quilting each of the navy blocks, just using simple straight lines in varying widths. I will also quilt the turquoise corner stones at some stage soon. I was a bit worried that all this quilting would detract from the quilt design - but I think because I've used blending thread and kept it to just a few designs (essentially straight lines and pebbles) it works quite well. This is still a really soft and drapey quilt, despite all the quilting - possibly due to the amazing quality of Art Gallery Fabric I think?

If you'd like to make your own Welded quilt, you can find the free pattern here, and there is a video tutorial available too! The Fat Quarter Shop also have a complete quilt kit available, using Pat Bravo's Etno collection.

I hope you have a fantastic weekend! School holidays kick off today for two weeks, so I don't expect to get much sewing done - but I'm really looking forward to having my small people at home :o)

xx Jess